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Their solution to the question? Date each other for forty days. Both Jessica and Timothy have self-professed relationship issues—him with commitment issues and her with over-commitment issues—and both have found themselves single. The plan is to jump into a full-scale committed relationship, go to couples therapy, and complete a survey at the end of each of the forty days. To me, however, it seemed like 40 Days of Dating was less like an experiment and more like a train wreck where nobody could look away. But everyone learns from mistakes—even when they seem to be made intentionally.

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Words by Margaret Rhodes. Specifically, from Timothy Goodman and Jessica Walshwho put themselves under the microscope when they dated each other for 40 days by keeping diaries, and then publishing said diaries online, one day at a time.

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Now the original blog, along with heart-wrenching new journal entries from the months following, becomes the book, 40 Days of Dating: An Experiment Abrams. Friends first, they both thought 40 days of sincere dating might help them break some long-standing romantic habits. They agreed to a set of rules to keep the project intact, one of which was to keep daily journal entries.

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When they later decided to unspool the story online, they commissioned dozens of hand-lettered illustrations from friends to accompany the text. It was a new kind of storytelling, like a carefully considered web reality show.

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The project took the internet by storm, as they say, racking up some 15 million viewers and a deal with Warner Bros. Entertainment to turn it into a movie. You already published the blog online and you have a movie deal in the works. Jessica: When we started we really had no idea how 40 Days would be taken.

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We thought people in the de industry might be interested, but we had no idea it was going to go viral and be read by 15 million people. The book is its own little time capsule, and it was kind of therapeutic for us to do it.

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In a way, doing the book was more closure for us after all the kind of craziness that happened in our relationship over the last five or six years—as friends, dating, as creative partners. The book helps us reestablish our friendship and help us move on.

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Did you consider 40 Days of Dating a de project? Jessica: I consider it more of a social experiment that we used our tools, as deers, to elevate. We thought about how an audience would experience the website, while going through it. Jessica: A lot of feedback from Hollywood about why they were so interested in it, besides it being a good story, was that we created this new storytelling device by doing this weekly, like a TV show, but on the web and with a strong and specific graphic style.

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The book is dense. It includes a reprint of the original blog, as well as childhood photos, interviews with your parents, an as-told-to from your therapist during the project, and s and s of additional diary entries from the months following the project. We wanted to put ourselves in a larger context, so we asked friends and people we know to write stories about love.

Jessica: We tweeted and got content from a lot of our fans about what they think love means. Also, when we first thought of doing a book, as deers we had our dream idea of what the book would be: a large format coffee table book with all these cool papers—. And we wanted it to be low cost so people from all over could access it.

How has 40 Days affected your de careers going forward? Jessica: This project made me realize that one of my biggest goals is to create work that connects with people on an emotional level.

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Timothy: I fully agree. Jessica: Warner Brothers optioned the rights about a year and a half ago. They hired writers Lorene Scafaria and Michael Sucsy.

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The next move would be casting. We hope to have it up this spring. Share: Twitter Facebook Pinterest. Get it?

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